A Million Years of Music: The Emergence of Human Modernity - Zone Books | History of Music Evolution & Human Culture | Perfect for Music Historians & Anthropology Enthusiasts
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DESCRIPTION
What is the origin of music? In the last few decades this centuries-old puzzle has been reinvigorated by new archaeological evidence and developments in the fields of cognitive science, linguistics, and evolutionary theory. In this path-breaking book, renowned musicologist Gary Tomlinson draws from these areas to construct a new narrative for the emergence of human music.Starting at a period of human pre_history long before Homo sapiens or music existed, Tomlinson describes the incremental attainments that, by changing the communication and society of prehuman species, laid the foundation for musical behaviors in more recent times. He traces in Neanderthals and early sapiens the accumulation and development of these capacities, and he details their coalescence into modern musical behavior across the last hundred millennia.But A Million Years of Music is not about music alone. Tomlinson builds a model of human evolution that revises our understanding of the interaction of biology and culture across evolutionary time-scales, challenging and enriching current models of our deep history. As he tells his story, he draws in other emerging human traits: language, symbolism, a metaphysical imagination and the ritual it gives rise to, complex social structure, and the use of advanced technologies. Tomlinson’s model of evolution allows him to account for much of what makes us a unique species in the world today and provides a new way of understanding the appearance of humanity in its modern form.
REVIEWS
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4.5
I had to read this for post-graduate research. The hypothesis is convincing and bonds you to a more visceral, and primordial connection to music as a biological necessity; a dialectical opposition to the more often attribution of aesthetic appreciation of forms and symmetry’s. With such a reading the symmetry seems to be a serendipitous discovery, or a forced reading when enlightenment ideals came to reflect themself in the Viennese classism of German traditions.It is one of those texts one would feel compelled to return to time and again to ponder what other responses might be cultivated toward the music we interact with every day.
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